
The Cost of Living
Kathleen Farrell
£12.99
Description
Rediscover the brilliance of The Cost of Living in the Mermaid Collection – classic books by popular pioneering female authors republished to delight new generations of readers. Pre-order this gorgeous edition now.
A witty and characterful novel about the aftermath of a party thrown by singletons Marianne, a freelance typist in her mid-thirties and twenty-six year old Alexandra, a freelance portrait painter, who live in the same apartment building and have decided it’s time to meet some men . . .
With a foreword by Jane Fallon
‘You’re always so cynical. It doesn’t do. It makes men feel inferior.’
‘Quite a few of them are . . .’
Idealistic Alexandra is throwing a party to meet a more glamorous crowd. Marianne, more sardonic, worries it’ll be the usual sort.
The party is in Alexandra’s attic flat. Marianne will contribute a few bottles of red optimistically labelled Bordeaux. Can it be judged a success? There’s Donald the bus conductor with high-brow dreams, nervous bespectacled Bernhardt and Marius the ghostwriter. Not to mention a brace of Peters. It’s left to sexy, young Pisa and riotous, middle-aged Mummy (neither invited) to steal the show.
Yet, after the party both Marianne and Alexandra find themselves caught in unexpected – sometimes far from romantic – relationships. Meeting people, it turns out, has the most peculiar consequences.
Is that really the cost of living?
Praise for Kathleen Farrell:
‘Genuine wit, an acute feminine intelligence and a natural distinction of style’ Spectator
‘A distinctive voice, and she provided her readers with subtle pleasures’ Guardian
Publisher Review
While writers like Barbara Pym and Jean Rhys have been rediscovered, others, like Farrell, remain lost in the shadows of literature. A distinctive voice, and she provided her readers with subtle pleasures * Guardian * An original and forceful writer * Sunday Times * Real talent. She strikes a cunning balance between lightness and brightness and sensitivity and hidden depths. Her dialogue is very good indeed, packed with character * New Statesman *
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