Description

‘Brims with enthusiasm and joyful insight’ – Richard Ayoade

How can a film score make you cheer, shiver, cry or punch the air?
How do directors communicate their musical vision to composers?
And when does a soundtrack take on a life of its own?

Award-winning film critic Mark Kermode and radio producer Jenny Nelson embark on a full-throttle trip down the glorious rabbit hole of film composition to answer these questions and more.

Celebrating the emotional connection that audiences form with film music, exploring the evolution of film scoring from silent films to the present day, and examining how what we hear has an impact on what we see, Mark talks to some of his favourite composers and delves into the movie music he loves.

Including interviews with extraordinary talents from Radiohead’s Jonny Greenwood to Oscar-winning composers Rachel Portman and Howard Shore, and the stories behind iconic soundtracks such as Jocelyn Pook’s Eyes Wide Shut, Michael Kamen’s Brazil and Vangelis’s Blade Runner, Mark Kermode’s Surround Sound is a thrilling take on how great scores are brought to life on the silver screen.

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Jenny Nelson is an award-winning audio producer and writer. She produced Mark Kermode’s film music show at Scala Radio from 2019-24, and in her previous role as Executive Producer at Classic FM she wrote a book about creative collaborations between film directors and composers. Jenny has hosted panels about screen music at London’s Southbank Centre and Abbey Road, and is a former trustee at the Cambridge Film Festival. Mark Kermode’s Surround Sound is her second book.

Publisher Review

Movie music may be an essential component of cinema but it often gets overlooked. [Mark Kermode’s Surround Sound] gives it the focus it deserves, revealing the stories and the people behind your favourite film scores. — Nick de Semlyen, editor of Empire and author of The Last Action Heroes Part memoir, part detailed examination of the essence of film music, Mark Kermode’s Surround Sound goes way beyond the usual suspects to explore the music of many half-forgotten and less mainstream composers. I learned a lot. — Anne Dudley, Oscar-winning composer of The Full Monty A fascinating read for every film music enthusiast. Thoroughly enjoyable and amusing. — Rachel Portman, Oscar-winning composer of Emma Passionate without being didactic . . . reminds us that cinema is an art form for the ear as well as the eye. — Richard Ayoade