What Is Not Yours Is Not Yours
The stories collected in What Is Not Yours Is Not Yours are linked by more than the exquisitely winding prose of their creator: Helen Oyeyemi’s ensemble cast of characters slip from the pages of their own stories only to surface in another.
The reader is invited into a world of lost libraries and locked gardens, of marshlands where the drowned dead live and a city where all the clocks have stopped; students hone their skills at puppet school, the Homely Wench Society commits a guerrilla book-swap, and lovers exchange books and roses on St Jordi’s Day.
It is a collection of towering imagination, marked by baroque beauty and a deep sensuousness.
The stories in this collection are poetic and puzzling . . . get ready to tumble through the doors of this beautifully challenging and satisfying collection * NPR * Imaginative, playful and entirely unique, this collection of short stories is magical realism at its finest * Time Out (US) * Dizzying, baffling, and beguiling . . . unruly in the best way, drawing on pre-modern modes of story-telling (fairy tales, Boccaccio, The Arabian Nights) to show they've lost none of their power in the present * Vulture * What is Not Yours is Not Yours is like a charmed set of Russian dolls: spellbound, we are gripped by the seamlessly joined stories unfolding from-and into-one another, as we wait for Oyeyemi to reach for her next bit of magic. * Londonist * Her arguments, about identity, about sexuality, are more fluid than [Angela] Carter's . . . Reading What Is Not Yours Is Not Yours is like settling into a rollercoaster: you must abandon yourself * New Statesman * It is Oyeyemi's boundless inventiveness which drives these stories . . . stylistically bold, fantastical, disorientating and ruthlessly defying convention. Oyeyemi, one of the Granta Best of Young British Novelists 2013, now effortlessly outpaces most of her peers. In this short fiction we can discern hints of Angela Carter and hear notes of Aimee Bender but on the whole what rings out is Oyeyemi's singular, magical voice. * National * Oyeyemi has created a universe that dazzles and wounds. * Scotland on Sunday * Occasionally gothic, sometimes fantastical, always captivating. * Radio Times * A collection of short stories, which will suck the reader into Oyeyeymi's wild and surreal imagination. * Red Magazine * These short stories are pure, sensuous enjoyment, packed with colour and passion * Times * Witty and tender . . . simple and beautiful . . . hers is a rare talent -- Kate Clanchy * Guardian * The best teller of fairy tales we've got . . . [Oyeyemi's] first collection of short stories is obviously a bit of a treat . . . allowing for more invention, more sexiness and more beautiful sentences that lead you round the corner to something surprising . . . brilliant * Emerald Street * Beautifully broken tales with wonderfully flawed characters . . . a fascinating glimpse into a world built on our fears, hopes and desires . . . articulating such disorder proves Oyeyemi as the painstakingly masterful writer that she is. * Stylist * Oyeyemi captures the off-kilter fairy-tale magic of her 2014 masterwork, Boy, Snow, Bird . . . [she] writes with mastery, sometimes keeping her prose sparse and declarative only to unleash a bounty of description and humor a sentence later. * Entertainment Weekly * Oyeyemi takes the classic folk tale on a sometimes dark, often erotic, always fantastic, journey. The book itself is a thing of beauty, too. * Pool * [Oyeyemi] has come up with something unique, keeping pace with a modern mixed-up world * Daily Telegraph * Oyeyemi's fireworks illuminate a world in which other people are always more mysterious and strange than we might think * Spectator * This is a truly exceptional work of fiction, by a writer we should be delirious to have as a contemporary. -- Stuart Evers * Independent * What Is Not Yours Is Not Yours illustrates the necessity and power of private, written confessions. * New Yorker * Boasts ambitious stories written masterfully by an adventurous author, and is another example of Oyeyemi's skill at finding inspiration in the smallest and most ephemeral details. * New York Times Live * Ethereal beauty and unexpected humour * Independent on Sunday * Curious, erotic, by turns dark and humorous; like the many secrets these stories reveal, Helen Oyeyemi's imagination is ripe to be unlocked, revelled in and treasured. * Literary Review * Enchanting . . . the breadth of Oyeyemi's imagination is impressive, teetering, as ever, on the edge of magical realism. Her use of fairytales, folklore and ghost stories is distinctly reminiscent of the work ofAngela Carter . . . inviting, luscious prose. -- Lucy Scholes * Guardian * Wild, luscious and startling . . . Oyeyemi glides seamlessly across time, space and genre . . . Oyeyemi's observations are as sharp as they are humorous. But she is equally at home in a more lyrical mode, her writing warm and sensuous . . . these gorgeously baroque stories are full of humour, tenderness, wisdom and strange delights -- Rebecca Abrams * Financial Times * Alluring . . . the style and peculiar authority of this exceptional young writer will carry you carefully through the labyrinth and into a new and exciting literary landscape . . . If you are seduced by magical realism - particularly the novels of Allende and Marquez - you will savour Oyeyemi's inventive tales. * Daily Mail * Transcendent . . . the pleasurable awareness of a story being told courses through the collection like electricity . . . Oyeyemi expertly melds the everyday, the fantastic and the eternal . . . with each story I had the delightful and rare experience of being utterly surprised . . . Oyeyemi has created a universe that dazzles and wounds * New York Times * Oyeyemi's imagination is impressive and vast . . . Her ability to conceive her stories on such a grand scale is what makes her work so magnetic, sucking the reader into any number of netherworlds. Perhaps it's this ability to consume and be consumed that keeps Oyeyemi constantly, and prolifically, at work. * Guardian *
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