Publisher Review

'Compulsively readable novel informed by suspense that is, at times, breathtaking. The setting is beautifully realized not only by its evocation of place, but also by its myriad references to popular music of the day. Sometimes horrifying, sometimes nostalgic and even poignant, Ellis' latest is an unqualified success' - Booklist 'A brooding noir thriller blending fact and fiction ... an event publication from a cult author' - The Bookseller, Editor's Choice 'A thrilling fusion of classic crime noir, pop culture porn and new wave gloss,The Shards is the pinnacle of Bret Easton Ellis' creative career and everything we have come to hope, expect and fear from him' - Benjamin Myers Praise for Bret Easton Ellis: 'A writer of real American genius' - GQ 'A rebel whose work is controversial precisely because its sinister themes are so dexterously written' - Sunday Telegraph 'One of the most gifted and serious novelists working in America today' - Financial Times 'A master stylist with hideously interesting new-fangled manners and the heart of an old-fashioned moralist' - Observer 'A living embodiment of how, between the pre-digital world of 1985 and today, both everything and nothing has changed. And it's been Ellis's life's work to make us confront the absurdity of that world in all its grimness, comedy and plastic beauty' - New York Times 'If Joan Didion is the California ice queen who picked apart the increasingly threadbare fabric of 70s American society, then Bret Easton Ellis is her heir apparent' - Vanity Fair 'There is no doubt that Ellis retains the ability to startle and disquiet' - TLS 'One of those authors who leaves no one - whether or not they've read him - indifferent' - The Times 'Bret is the signal artist of the present day ... he's the genius or outlaw we don't want to claim or own up to, maybe even wish didn't exist. But whatever your view of him is-major novelist, minor fool, virtuoso, villain, prodigy, provocateur, pissant-he must be recognised as the key to cracking the code of American pop culture for the last forty years. His work is an x-ray of the society that produced him. He edits our past, just as he plots out our future' - Lily Anolik