Mr B's review
In ancient Britain, three siblings find themselves struggling against entwined fates. As old magic and new Christianity come head-to-head, a stranger breaks into their sheltered lives, changing everything. This queer, feminist retelling of an ancient Celtic murder ballad is dark, twisty and delicious.
Betrayal. Magic. Murder.
A tale of three siblings and three deadly sins.
In a magical ancient Britain, bards sing a story of treachery, love and death. This is that story.
For fans of Madeline Miller’s Circe, Lucy Holland’s Sistersong retells the folk ballad ‘The Twa Sisters.’
King Cador’s children inherit a land abandoned by the Romans, torn by warring tribes. Riva can cure others, but can’t heal her own scars. Keyne battles to be seen as the king’s son, although born a daughter. And Sinne dreams of love, longing for adventure.
All three fear a life of confinement within the walls of the hold, their people’s last bastion of strength against the invading Saxons. However, change comes on the day ash falls from the sky – bringing Myrdhin, meddler and magician. The siblings discover the power that lies within them and the land. But fate also brings Tristan, a warrior whose secrets will tear them apart.
Riva, Keyne and Sinne become entangled in a web of treachery and heartbreak, and must fight to forge their own paths. It’s a story that will shape the destiny of Britain.
Sistersong is a powerfully moving story, perfect for readers who loved Naomi Novik’s Uprooted and Katherine Arden’s The Bear and the Nightingale.
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