Description

‘Akinkugbe is a brilliant new writer and thinker challenging art history. This book is urgent, essential, accessible and it needs to be on every art history reading list’ Bernardine Evaristo

‘A sparkling debut. Bold, eloquent, personal and clear-eyed, Alayo Akinkugbe is a major new voice in writing about art, museums and culture. This book will shift your frames of reference, expand your canvas, and give you hope for the future – changing how you look at art while also making you look again at your ways of seeing’ Dan Hicks, author of The Brutish Museums

‘Thorough, accessible, essential’ Katy Hessel, author of The Story of Art without Men

‘To explore a history of Black communities across centuries of art is a love letter to the practice, a gift of knowledge and an ode to those who’s creative expressions give us much to be inspired by today’ Sofia Akel, cultural historian and founder

Since the inception of mainstream art history, Blackness has been distinctly ignored.

In Reframing Blackness, art historian and founder of @ABlackHistoryOfArt, Alayo Akinkugbe challenges this void.

Exploring the presentation of Black figures in Western art, as well as Blackness in museums, in feminist art movements and in the curriculum, Alayo unveils an overlooked but integral part of our collective art history.

Refreshing and accessible, this promises to start a much-needed conversation in culture and education.

Publisher Review

A sparkling debut. Bold, eloquent, personal and clear-eyed, Alayo Akinkugbe is a major new voice in writing about art, museums and culture. Reframing Blackness shows us how addressing absences and erasures can be about so much more than just filling the gaps. This book is a manifesto, a manual and a toolkit all at once, focused on the urgent tasks of reimagining the canon, transforming the curriculum, and bringing art history into the 21st century. It will shift your frames of reference, expand your canvas, and give you hope for the future – changing how you look at art while also making you look again at your ways of seeing — Dan Hicks, author of THE BRUTISH MUSEUMS Reframing Blackness is a testament to the necessity and vital importance of taking an active role in not only curating knowledge but challenging systems of knowing that have shaped our world view thus far.

Alayo Akinkugbe illustrates exactly how structural education should never wholly substitute the learning that we must continue to do into adulthood. To explore a history of Black communities across centuries of art is a love letter to the practice, a gift of knowledge and an ode to those who’s creative expressions give us much to be inspired by today.

To curate knowledge, is to understand and know ourselves better in a world we inherited, and a world that we contribute to in our short time here — Sofia Akel, cultural historian and founder of Free Books Campaign If reading Gombrich left you with questions, well, these are many of the answers. A fearless, timely evisceration of so much of the Art History that we have taken for granted, and a rigorous and deeply compelling alternative way of seeing is proffered in its place. Mandatory reading. * Dr Gus Casely-Hayford, director of V&A East * “[Reframing Blackness] fills in gaping holes in institutional education, and contemporary art galleries, I wish I had a resource like this when I was growing up, but it’s equally as impactful in my adulthood.” * Ronan Mckenzie, photographer, designer and curator *