This third book in the Cool Memories series is culled from Baudrillard’s notebooks in the period when he was composing The Illusion of the End and The Perfect Crime. In it, he resumes his investigation of the meta-metaphysics of objects. Like its predecessors, the book is a work of brief meditations, of poetic musings: in a word, of fragments.
"A sharp-shooting lone-ranger from the post-Marxist left." -New York Times "The most notorious intellectual celebrity to emerge from Paris since Roland Barthes and the most influential prophet of the media since Marshal McLuhan." -i-D magazine "The most important French thinker of the past twenty years." -J.G. Ballard"
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