Description

WINNER OF THE PULITZER PRIZE FOR FICTION
NEW YORK TIMES TOP 10 BOOKS OF 2010

Jennifer Egan’s spellbinding novel circles the lives of Bennie Salazar, an aging former punk rocker and record executive, and Sasha, the passionate, troubled young woman he employs. Although Bennie and Sasha never discover each other’s pasts, the reader does, in intimate detail, along with the secret lives of a host of other characters whose paths intersect with theirs, over many years, in locales as varied as New York, San Francisco, Naples, and Africa.

We first meet Sasha in her mid-thirties, on her therapist’s couch in New York City, confronting her longstanding compulsion to steal. Later, we learn the genesis of her turmoil when we see her as the child of a violent marriage, then a runaway living in Naples, then as a college student trying to avert the suicidal impulses of her best friend.

We meet Bennie Salazar at the melancholy nadir of his adult life-divorced, struggling to connect with his nine-year-old son, listening to a washed up band in the basement of a suburban house-and then revisit him in 1979, at the height of his youth, shy and tender, reveling in San Francisco’s punk scene as he discovers his ardor for rock and roll and his gift for spotting talent. We learn what became of his high school gang-who thrived and who faltered-and we encounter Lou Kline, Bennie’s catastrophically careless mentor, along with the lovers and children left behind in the wake of Lou’s far flung sexual conquests and meteoric rise and fall.

A Visit from the Goon Squad is a book about the interplay of time and music, about survival, about the stirrings and transformations set inexorably in motion by even the most passing conjunction of our fates. In a breathtaking array of styles and tones ranging from tragedy to satire to Powerpoint, Egan captures the undertow of self-destruction that we all must either master or succumb to; the basic human hunger for redemption; and the universal tendency to reach for both-and escape the merciless progress of time-in the transporting realms of art and music. Sly, startling, exhilarating work from one of our boldest writers.

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***Jennifer Egan’s latest novel THE CANDY HOUSE is coming April 2022, the long-awaited sibling novel to A Visit from the Goon Squad***

Publisher Review

You won’t have read anything quite like it before. * Grazia * The most exciting novel I’ve read this year. * Olivia Laing, Observer * The coolest of summer’s must-reads. * The Lady * Fiction of the highest quality. * The Sunday Times * Dazzling. * Irish Times * Stories that defy narrative conventions. * Financial Times * Stunningly good. * Evening Standard * Wickedly funny. * Harper’s Bazaar * Warm, witty and wise. * Sunday Express * If you’re going to read one new novel this summer, it should be this. * Evening Standard * An overlooked masterpiece. * thisislondon.com * Thriftily evokes many disparate American lives in less than 300 pages, vividly showing how the virtues of the realist tradition – historical depth and strong point of view – can be combined with a modernist aesthetic of fragmentation and dissolution. — Pankaj Mishra * Guardian * Egan’s a daunting stylist, and she’s in blistering form for these interlocking narratives about the milieu surrounding an aging and waning music producer. Essentially, it’s a story about getting mugged by the passage of time, and along the way she interrogates how rebellion ages, influence corrupts, habits turn to addictions, and lifelong friendships fluctuate. You also might know this as the novel that has a chapter written in PowerPoint. Egan: unpredictable and, here, brilliant. * Publisher’s Weekly Books of the Year. * A stunningly resourceful writer * Guardian * For all its postmodern flourishes, Goon Squad is as traditional as a Dickens novel. . . . Her aim is not so much to explode traditional storytelling as to explore how it responds to the pressures and opportunities of the digital age. Egan herself does not appear to be on Facebook, but A Visit From the Goon Squad will likely make her many new friends. * Newsweek * Poetry and pathos . . . Egan conveys personality so swiftly and with such empathy. . . . Yet she is not a conventional dystopian novelist; distinctions between the virtual and the real may be breaking down in this world, but her characters have recognizable emotions and convictions, which is why their compromises and uncertainties continue to move us. . . . Another ambitious change of pace from talented and visionary Egan, who reinvents the novel for the 21st century while affirming its historic values. * Kirkus Review (starred review) * Egan is a writer of cunning subtlety, embedding within the risky endeavors of seductively complicated characters a curious bending of time . . . a hilarious melancholy, enrapturing, unnerving, and piercingly beautiful mosaic of a novel. — Donna Seaman * Booklist (starred review) * Sparkling. * The Guardian * The star-crossed marriage of lucid prose and expertly deployed postmodern switcheroos that helped shoot Egan to the top of the genre bending new school is alive and well in this graceful yet wild novel . . . powerful. * Publishers Weekly (starred review) * Jennifer Egan is a rare bird: an experimental writer with a deep commitment to character, whose fiction is at once intellectually stimulating and moving. . . . It’s a tricky book, but in the best way. When I got to the end, I wanted to start from the top again immediately, both to revisit the characters and to understand better how the pieces fit together. Like a masterful album, this one demands a replay. * The San Francisco Chronicle * “[Egan is] a boldly intellectual writer who is not afraid to apply her equally powerful intuitive skills to her ambitious projects. . . . While it’s a time-trekking, tech-freakin’ doozie, the characters’ lives and fates claim the story first and foremost, and we are pulled right in. . . . Brilliantly structured, with storylike chapters.” * Elle * A rich and rewarding novel. * Philadelphia Inquierer * Clever. Edgy. Groundbreaking. . . . It features characters about whom you come to care deeply as you watch them doing things they shouldn’t, acting gloriously, infuriatingly human. * The Chicago Tribune * A Visit from the Goon Squad [is] an exhilarating, big-hearted, three-headed beast of a story. . . . [A] genius as a writer. . . . We see ourselves in all of Egan’s characters because their stories of heartbreak and redemption seem so real they could be our own, regardless of the soundtrack. Such is the stuff great novels are made of. * Marie-Claire * A delight. * The Observer. * Egan’s precise, calm underwater prose is a persistent pleasure. * Daily Telegraph. * A great work of fiction, a profound and glorious exploration of the fullness and complexity of the human condition. . . . An extraordinary new work of fiction. * The New York Press * Exhilirating…arresting…brilliant. Turn up the music…and curl up with The Goon Squad. * Washington Post * It may be the smartest book you can get your hands on this summer. * Los Angeles Times * A must read. Irresistible. Fiction of the highest quality. * Sunday Times. *