Description

*A Sunday Times Top 10 Bestseller*

‘What a writer he was; he could flip over a sentence so gently, and show the underbelly in a heartbeat. His work is always quietly compassionate’ Elizabeth Strout

In this final collection of ten exquisite, perceptive and profound stories, William Trevor probes into the depths of the human spirit. Here we encounter a tutor and his pupil, whose lives are thrown into turmoil when they meet again years later; a young girl who discovers the mother she believed dead is alive and well; and a piano-teacher who accepts her pupil’s theft in exchange for his beautiful music. These gorgeous stories – the last that Trevor wrote before his death – affirm his place as one of the world’s greatest storytellers.

‘Trevor is a master of both language and storytelling’ Hilary Mantel

‘He is one of the great short-story writers, at his best the equal of Chekhov’ John Banville

‘The greatest living writer of short stories in the English language’ New Yorker

Publisher Review

Trevor is a master of both language and storytelling -- Hilary Mantel He is one of the great short-story writers, at his best the equal of Chekhov -- John Banville A beautiful writer... I would not have become a writer at all had I not discovered his work. -- Yiyun Li The man - the work - was brilliant, elegant, surprising, reliable, precise, stark, often sad, sometimes funny, shocking and even frightening -- Roddy Doyle An Irish writer, an international writer, a great writer. Put bluntly, he is revered by writers -- Jhumpa Lahiri In the first few paragraphs of a story he could set an entire scene without seeming to, working on details, small moments, odd thoughts. As in the work of Alice Munro, there often seemed to be very little happening in his fiction, but then he was capable of offering the reader a sense of an immense drama -- Colm Toibin The strength of all his writing was an unshowy perfection of style, through which he expressed his unerring instinct for fairness. His total lack of self-importance allowed him to express what was important in the world around him. He was one of the greatest writers about justice and suffering, disguised as an ordinary person -- Bernard O'Donoghue Writers often get asked which authors they return to again and again, their comfort books if you will, the ones that make them remember why fiction matters. William Trevor, I have answered on countless occasions. His stories. Any of them -- John Boyne He is, I think, sui generis, and in his 12 collections (and 13 novels, and two novellas: an exhibition of near-Updikean energy), he has created a version of the short story that almost ignores the form's hundred or so years of intricate evolution. These stories stay in the mind long after they're finished because they're so solid, so deliberately shaped and directed so surely toward their solemn, harsh conclusions -- William Boyd, reviewing Cheating at Canasta in the 'New York Times' His stories are formally beautiful and, at the same time, interested in the smallness of human lives. He was, as a writer, watchful, unsentimental, alert to frailty and malice. A master craftsman -- Anne Enright There is no better short story writer in the English-speaking world * Wall Street Journal *