Description

‘A masterpiece’ JON MCGREGOR
‘Impossible to forget’ THE TIMES
‘Astonishing’ GUARDIAN
‘Startling’ FINANCIAL TIMES

WINNER OF THE EU PRIZE FOR LITERATURE

‘BOOK OF THE YEAR’ NEW STATESMAN, OBSERVER, IRISH TIMES, BBC HISTORY MAGAZINE

The fields were eternal, our life the only way of things, and I would do whatever was required of me to protect it.

The autumn of 1933 is the most beautiful Edie Mather can remember, though the Great War still casts a shadow over the cornfields of her beloved home, Wych Farm.

When charismatic, outspoken Constance FitzAllen arrives from London to write about fading rural traditions, she takes an interest in fourteen-year-old Edie, showing her a kindness she has never known before. But the older woman isn’t quite what she seems.

As harvest time approaches and pressures mount on the whole community, Edie must find a way to trust her instincts and save herself from disaster.

Publisher Review

A beautiful and wholly tragic novel * Daily Mail * A work of rare magic -- Helen Macdonald, author of 'H is for Hawk' Powerful and beautifully written ... Harrison is the traditional being, a nature writer with a knowledge and eye for detail that recalls Thomas Hardy and John McGahern. And that makes this novel impossible to forget * The Times * A powerful and lyrical coming-of-age story from a writer who is fast establishing herself as one of the best contemporary exponents of the pastoral novel * Observer * An incredible evocation of one particular corner of rural England in the 1930s. Powerful and subtle and richly detailed, this is a book that inhabits its territory, knows its people, and follows its own haunting logic. Some of the great themes of English life are tackled here - class division, the patriarchy, folklore and psychosis, creeping fascism - but rather than being simply ticked off they are instead woven into the narrative with great subtlety and beauty. I've been following Melissa Harrison's work with interest for some time now, and with this novel she's done what I've long suspected she would: she's written a masterpiece -- Jon McGregor, author of 'Reservoir 13' Looking through Melissa Harrison's eyes provides a new way of seeing everything. Her descriptions of nature are so vivid that in some passages you hear and smell as well as see. Such original and intelligent writing is rare * Literary Review * A powerful exploration of rural lives, nationalism and nostalgia -- Alex Preston, 'The Best Fiction of 2018' * Observer * A novel of acute psychology and subtle political sense, portrayed in language of sheer largesse. It describes a land resplendent and saturated with summer, but known dangers flicker on the edges: debt, crop failure, illness and accident ... Set in Suffolk, mainly in 1934, it is an exquisitely intelligent take on the pastoral form * TLS * A deeply atmospheric work, steeped in the rhythms and traditions of the English countryside and the rhythms and traditions of its literature. Its texture - dense, hypnotic and beautifully rendered - is oddly daring. The fusing of ancient natural cycles and farming techniques with powerfully descriptive prose and rich characterisation feels luxuriant on the page ... Startling ... A novel whose texture is both poetic and skillfully wrought * Financial Times * Nostalgia, nationalism and superstition all play their part in an acutely observed narrative that is as pertinent to the here and now as it is evocative of its time and place -- The Best New Fiction * Mail on Sunday * Harrison is adept at making several realities exist uncannily alongside one another. She conjures up nature, with its timeless rhythms and beauty, and invades it with the political ... This accomplished novel explores many things; perhaps above all it is an argument about the danger of solipsism, and a demonstration of what tragedies might occur if one cannot escape a narrow viewpoint to consider the wider picture * Spectator * A tale of rural Suffolk in the 1930s which is both loving in its detail, yet also clear-sighted enough to see the pitfalls of revering the land in ways that can lead down dangerous paths, towards blood and soil ideology -- Tracey Thorn * New Statesman * In All Among the Barley, Melissa Harrison has created a central character to rival Cassandra in I Capture the Castle. A remarkable and haunting book -- Evie Wyld What a brilliant and timely novel All Among The Barley is. Deeply evocative of a historical moment - rural England between the wars, before mechanisation - it is also, unmistakably, about questions that press hard on us now, above all the dangers of nationalism, and how easily a love of place can be corrupted into something dark and exclusionary. This is an important book by a writer of great gifts -- Robert Macfarlane A beautiful, heartbreaking novel of great power. Melissa Harrison has built a world for us, and peopled it, making it solid and real, and all the time making one aware of an awesome fragility - of human minds and bodies, of farmers under politicians and under nature, of ideas that might transform lives or might destroy them. I've been privileged to inhabit this world -- Tim Pears, author of 'The Horseman' Both beautifully evocative and a gripping read - a rare combination ... Throughout, it is suffused with the gorgeous language and keen insight into the natural world that has marked Harrison's work since Clay * Harper's Bazaar * Melissa Harrison is a dazzlingly gifted writer, and All Among the Barley confirms her as a novelist whose lyrical descriptions of nature and rural English life, harnessed to a gripping plot and varied cast of characters, deserves the widest readership. This is right up with the very best classic novels of inter-War country life - its beauties, sorrows, injustices and realities -- Amanda Craig, author of 'The Lie of the Land' Harrison is readily comparable with Elizabeth Taylor and Penelope Lively; but she has a distinction all her own - and her growing audience must hope to live long enough to read everything she writes * Spectator * Harrison's love of the natural world and its traditions vibrates poetically through every page ... Harrison's imagination is wonderfully strange, her writing beautifully assured and controlled * The Times * Harrison's surpassed herself with this one * A Life in Books * Melissa Harrison's powerful third novel is a sympathetic portrayal of a mind unravelling in the context of a community that is likewise losing its way. A glimpse of history with a lesson for today * Annethology * A heartbreaker of a book * Psychologies *